We did what we did, and we made an incredible record. So when we started to distance ourselves when we were recording ‘Hate It Or Love It.’ That was one of the nights where we really ain’t talk. , everybody felt like 50 knew what he was doing. I felt like in a perfect man’s world, Dre should’ve focused on 50 and then The Documentary, but The Documentary was coming out so amazing that no one wanted to take time off of it. The Massacre still did numbers, but 50 felt like Dre should’ve did that, and then finish Game since 50 had lended his time to me. Dre spent too much time on the completion of The Documentary, and he didn’t spend the fourth-quarter of 50’s The Massacre album working with 50. He did the record, but he was already moving away from The Game and 50 situation. “I’ll let you know something that a lot of people don’t know: on that record-we recorded that record in Connecticut at Mike Tyson’s old mansion that 50 owned-when we did that, 50 had already. This Is How We Do: 50 Cent & The Game End Their Beef (Video) I came in and wrote the second half, furthermore stamping the fact that 50 didn’t write sh*t for me he wrote for himself- on a Game album.” The Game praises his mentor and collaborator as “one of the most melodically-inclined ni**as, ever.” He also says that song was the beginning of the end. Dre oversaw “Hate It Or Love It.” “The first half of the hook, ‘Hate it or love, the underdog’s on top,’ that’s how 50 felt about me at the time.
He says that while Cool & Dre produced the song, Dr. I got songs with me and 50 that are still on hard drives at my house that are timeless.” Before joining the G-Unit Records/Aftermath Entertainment fold, The Game was an artist on San Francisco rapper JT The Bigga Figga’s Get Low roster. We put our voices together, and that sh*t made magic. When People’s Party co-host Jasmin Leigh asks the guest which of his songs with 50 Cent was his favorite, he didn’t hesitate long to reply with this highest-charting song to date, 2005’s Cool & Dre-produced “Hate It Or Love It.” Game remembers recording in the song, and how the two worked well together: “Me and him in the studio, by ourselves, with an engineer. The Game Explains Why He Wants To Battle Kendrick Lamar & J. “I put G-Unit in flames, and he didn’t like that.” Kweli suggests a proper reunion tour after Jayceon believes that it’s in 50’s best interest to reunite with him on wax. “Even though he forgives, he don’t forget,” The Game admits. However, there has yet to be any new collaborative material. In mid-2016, the two men buried their tensions with a documented peace offering. “If me and didn’t have beef, ni**a, we’d be billionaires by now,” Game admits. According to Game, the smear campaign affected the label, clothing line, and other endorsement deals.
Hate it or love it 50 cent series#
Going rogue, The Game dropped a series of mixtapes and diss tracks aimed at 50, Lloyd Banks, Tony Yayo, and Young Buck. Once an artist on G-Unit, The Game quickly became 50’s arch-nemesis, within the same label family. Notably, he shed light on his beef with 50 Cent during his come-up while recording The Documentary alongside Fif and Dr.
The chat centered on his early life, gang-affiliated experiences, and career highs and lows.
Promoting Born 2 Rap, Game appeared The People’s Party With Talib Kweli, for a nearly two-hour conversation (embedded at the bottom of this article). Approaching 15 years since The Documentary, Jayceon Taylor is looking to bookend a provocative discography.
It features the late Nipsey Hussle ( who also has a song dedicated to him), as well as Anderson. The LP, clocking in at 90 minutes in length, showcases the many sides and versatile styles of the veteran Compton, California MC. Late last month, Compton rapper Game released his ninth (and reportedly final) album, Born 2 Rap.
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